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Bee Ball!

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Bee Ball!
Bee Ball! title card
Description
Part of Scooby-Doo! #37
# of pages 12
Writer Rurik Tyler
Penciler Joe Staton
Inker Dave Hunt
Colorer Paul Becton
Letterer John Costanza
Editor Joan Hilty
Chronology
Previous story

The Mystery Machine Mystery

Next story

Witch Pitch


Bee Ball! is a story in Scooby-Doo! #37 by DC Comics.

Premise

The gang investigates a swarm of giant bees.

Synopsis

Insert details here.

Characters

Main characters:

Supporting characters:

Villains:

  • Hippie (single appearance)(disguise)/
  • Mayor's secretary (single appearance)
  • Giant bees (single appearance)(disguise)/
  • Mayor's secretary's henchman (single appearance)

Other characters:

  • None

Locations

  • Mayor's office
  • Werner's bee farm

Objects

  • TBA

Vehicles

Suspects

Suspect Motive/reason
Hippie The paint job on his van was a fake. He was wearing a wig.
Mr. Werner The Hippy said he's making killer mutant bees to destroy them all.
Cyclist Said the same things like the hippie so Shaggy thought she is also a fake.

Culprits

Culprit Motive/reason
Mayor's secretary disguised as the Hippie
Her henchman as the Giant bees
To take over bee farming land and create a resort.

Notes/trivia

  • TBA

Reception

Plot: Scooby and the Gang get into a sticky situation before digging the dugout.

The giant bees in Scooby-Doo are just silly and inspire no false fear. Even traditional chickens Shaggy and Scooby have trouble accepting in their validity, but writer Rurik Tyler makes up for the lack with a fairplay mystery that avoids the obvious.

The dialogue is strong, and the clues are not laid out for the gang to find. Rather the overtones draw upon the villain's arrogance and despite the seeming ease in which Mystery Incorporated find the clues, the characterization paints them as master detectives.

Joe Staton and Dave Hunt easily wax upon the essence of the gang, and their attention to creating an illusion of motion astounds. Right on the front page, you swear Daphne's hair waves as she ducks. Velma looks as though she's strolling through the crime-scene on page fourteen, and a stunner on page eleven returns to the fluid Daphne engaging a trap. [1]

Quotes


References

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