Expansion This needs a stretch. (Feel free to remove when satisfied of completion.)
Needed: Synopsis.
Cravin' the Raven
Cravin' the Raven title card
Part of Scooby-Doo! #80
# of pages 12
Writer Rurik Tyler
Penciler Joe Staton
Inker Andrew Pepoy
Colorer Sno Cone
Letterer Nick J. Napolitano
Editor Joan Hilty
Previous story

The Gray Man

Next story

It's Always Feral Weather

Cravin' the Raven is the last of two stories in Scooby-Doo! #80 by DC Comics. It was preceded by The Gray Man.


Insert details here.


The gang is hired by an Edgar Allan Poe look-a-like to find a handwritten manuscript of Poe's famous poem, The Raven. The manuscript was stolen by what he believes is his rival bidder for the story. The gang investigate and nearly find his story true, but his rival, Ms. Lenore, is after the same thing that the gang is after, to find the missing manuscript. Velma figures it out that it was the auctioneer who hid the manuscript in a picture on the wall after the auction, so he could have it.


Main characters:

Supporting characters:


Other characters:


  • Edgar Allan Jones' home
  • Miss Lenore's home
  • Auction house


  • TBA



Suspect Motive/reason
Ms. Lenore She would do anything to get something of Poe's.


Culprit Motive/reason
Auctioneer To steal a manuscript that he hid in a picture on the wall.


  • The joke from Lewis Carroll that is alluded to in the story may be the unanswered riddle from the Mad Hatter: "Why is a raven like a writing-desk?" A famous response is: "Poe wrote on both."


Today's continuity comic books can also benefit from research and history. Rurik Tyler provides this sense in the second mystery "Cravin' the Raven." While I disagree with his depiction of the gang, including Velma, being ignorant of Poe's works, his information about the author and his writings is accurate and up to date. The research provides more than information. It allows for astute and humorous observations from Shaggy and shows the reader how passionate the collector of the story is about Poe when contrasted to the mountebank in the tale who is merely interested in the value of the purloined object. Meanwhile, an unexplained joke--meaning you'll have to look it up for yourself--from Lewis Carroll plays an important part in the story.

Joe Staton I think is the artist who best depicts the Scooby and the Gang. He gives them vitality and an animated quality that often surpasses the cartoons. His artwork on this tale is no different. His design for the Poe character is reminiscent of the Poe look-alike in the classic Italian horror flick Castle of Blood. I'd be willing to wager the resemblance to such cinema was meant.

Scooby-Doo is more than just a lark. The stories are tightly written and depict recognizable characters that are intelligent and experienced in their art. The stories have no slap-dash qualities. These stories depict their roots both visually and in prose, and it is these qualities that make them more entertaining more often than not than the books for so-called mature readers.[1]



  1. Ray Tate in Firing Line Reviews