Creature Feature

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Creature Feature
Creature Feature title card
Part of Scooby-Doo! #68
# of pages 12
Writer C. Martin Croker
Penciler Robert W. Pope
Inker Dave Hunt
Colorer Paul Becton
Letterer Tom Orzechowski
Editor Joan Hilty
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The Fright Before Christmas!

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The Creepy Cruise

Creature Feature is a story in Scooby-Doo! #68 by DC Comics.


The gang head out to the drive-in for a fun night but find that the place is haunted by the Tooma, an old monster from a Hollywood movie. The gang investigates the drive-in to find that the ghost is not real as they interview the old movie producer who held on to the costume from the movie, but its gone. The gang set a trap and catch Tooma only to find out that it is the drive-in owner's brother-in-law.


Insert details here.


Main characters:

Supporting characters:


Other characters:

  • Moonlight Drive-In cashier (single appearance)(no lines)
  • Sheriff (single appearance)



  • TBA



Suspect Motive/reason
Sam V. Arkowitz He had the costume of Tooma from the movie.


Culprit Motive/reason
Wally Veevers as Tooma To obtain the drive-in's land and replace it with a Wally-Mart.


  • TBA


Two stories in Scooby-Doo make filling Scooby Snacks for fans. The first while far from fair play makes up for the fact by taking a number of nice twists and unexpected turns that involve schlock movies. As expected, the story features a number of puns and allusions to the lower echelons of cinema, but all are relayed with respect.

I don't recall ever seeing Mr. Croker's name associated with Mystery Inc. However, the gang are all in perfect character and given as much depth as the interpretations found in an average John Rozum/Joe Staton story. Keep in mind Scooby-Doo average stories are superior to most of the competition's average stories. It's a superior title in every respect.

Part of the gang's on-model behavior may stem from Dave Hunt providing his usual strong, weighty inks to the excellent pencils. It's always gratifying to see an inker enhancing another penciler's work because you can better see what he brings overall to the general look and feel of any story. Mr. Hunt's shadow-work and his rendering of depth becomes more apparent.[1]



  1. Ray Tate in Firing Line Reviews

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