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Fight or Flight

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Needed: Synopsis.
Fight or Flight
Fight or Flight title card
Description
Part of Scooby-Doo! #53
# of pages 10
Writer Brett Lewis
Penciler John Delaney
Inker Jeff Albrecht
Colorer Paul Becton
Letterer Gus Hartman
Editor Joan Hilty
Chronology
Previous story

Prom Fright

Next story

Scooby Dooby Voodoo


Fight or Flight is the second story in Scooby-Doo! #53 by DC Comics.

Premise

Scooby and Shaggy face a glowing ghost hundreds of miles above the earth.

Synopsis

Insert details here.

Characters

Main characters:

Supporting characters:

Villains:

Other characters:

  • Passengers (single appearance)(miscellaneous speaking)
  • Flight attendant (single appearance)
  • Police officers (single appearance)

Locations

  • Airlines plane somewhere over the American Southwest

Objects

  • TBA

Vehicles

  • Airplane

Suspects

Suspect Motive/reason
Jimmy McCaffrey He might have wanted revenge for being fired as an airline crew chief and he was present on every haunted flight where the Braken-Spectre appeared.
Olga Offinsteader Her previous occupation was an engineer and she was rude to Shaggy and Scooby-Doo.

Culprits

Culprit Motive/reason
Olga Offinsteader
Helga Offinsteader as the Bracken-Spectre
To stealing from the overhead luggage compartments and stashing them in the cargo bay, so that they could be picked up in the baggage claim.

Notes/trivia

  • TBA

Reprints

Reception

Brett Lewis comes up with a pretty clever means to create a foo-fighter in the second story and throws in a good red herring to add a little suspicion. His partner in crime John Delaney from the The Adventures of the DCU creates eye-catching designs for the passengers and suspects aboard the flight, and his version of the gang is a welcome break in the never than less superb Joe Staton look for the animated sleuths.

While a certain similarity between the characters in the comic book to that of the television classics must be maintained, there is a lot of room for experimentation. Here, Jeff Albrecht creates some funky, postmodern inks that may be found in small press comic books. They add to the intensity of the effects, generate an unusual aesthetic and further distinguish their look from the more usual Staton artwork. [1]

Quotes


References

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