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Ghouls Night at the Opera

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Ghouls Night at the Opera
Ghouls Night at the Opera
Information
Publisher DC Comics
Release date March 2008
Part of Scooby-Doo! #128
Pages 10
Writer Vito Delsante
Mick Purpura
Pencils Tim Levins
Inks Dan Davis
Colors Heroic Age
Letters Sal Cipriano
Editing Jeanine Schaefer
Chronology
Previous The Freeloading Ghost
Next A Town Called Vladsburg!

Ghouls Night at the Opera is a story in Scooby-Doo! #128 by DC Comics.

Premise

Insert details here.

Synopsis

Characters

Main characters:

Supporting characters:

Villains:

Other characters:

  • Other punk opera singers (single appearance)(no lines)

Locations

  • Seattle Opera House
    • Auditorium
    • Rudy Fortissimo's dressing room
    • Backstage wings
    • Amara Aria's dressing room

Objects

  • TBA

Vehicles

  • TBA

Suspects

Suspect Motive/reason
Amara Aria She seemed to be the only one who hadn't seen the Opera Ghoul.
Rudy Fortissimo He did edge Devon Barton out of the production and he got the lead before Devon could.
Devon Barton He believed that Rudy stole the leading role from him.

Culprits

Culprit Motive/reason
Devon Barton as the Opera Ghoul
Amara Aria, helped him hide his costume in her dressing room
To ensure that Devon win back the leading role in the show.

Notes/trivia

Reception

Two outstanding stories split this issue of Scooby-Doo. In the first, the Gang go to a punk rock musical to investigate a haunting. Vito Delsante and Mick Purpura turn the story into a musical. Not an easy thing to do when the comic book is actually a mute object. The writers create melody in the dialogue and include refrains leading to the numbers.

As to the mystery, Delsante and Purpura give the readers plenty of suspects, and hide the culprit well enough. The ghoul reveals himself in the denouement, and they add a novel twist to the typical curse spat by all the frauds the gang have uncovered.

Tim Levins and Dan Davis dramatize Mystery Inc. in a boisterous form that suits the subject matter. They also create some imaginative designs for the punk players of the opera, and the on model Shaggy, Scooby, Fred, Daphne and Velma investigate fully dressed sets that help sell the cadence. [1]

Quotes


References

  1. Ray Tate in Line of Fire Reviews

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