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Sound Stage Spook
Sound Stage Spook title card
Part of Scooby-Doo #18
# of pages 12
Writer John Rozum
Penciler Joe Staton
Inker Andrew Pepoy
Colorer Paul Becton
Letterer John Costanza
Editor Dana Kurtin
Previous story

Are We Scared Yet?

Next story

The Curse of the Scary Scarab

Sound Stage Spook is the second story in Scooby-Doo #18 by DC Comics.


Theodore Jones, grandfather of Fred, requires the gang's assistance again. This time a ghost is haunting the sound stage of his new giant crab movie, Bisque, Horror From the Deep.


Insert details here.


Main characters:

Supporting characters:


Other characters:

  • Actors (single appearance)(miscellaneous speaking)
  • Clayton Lonney (only time mentioned)(deceased)



  • TBA


  • None


Suspect Motive/reason
Tim Sevine He said that Clayton Lonney would be disgusted with actors today.
Nick He wasn't happy with the large fake scar he had to wear to play the race car villian.


Culprit Motive/reason
Lucas Spiegel as the Ghost of Clayton Lonney To mess up his rival's movie, so that his movie would reach the theaters first.


  • In the beginning, Shaggy gets directions from Zandor of the Herculoids, while Igoo looks on (as an unmasked actor).
  • Clayton Lonney seems to be an reference to Lon Chaney, a famous horror movie actor.
  • Theodore Jones appeared before, in Legend Of The Silver Scream.
  • Fred Jones mistakenly says "Tom" as the first name of Tim Sevine, but the latter is correct, as seen in the short How to Make a Monster. There's already a Tom Burden, and it would be odd to have two Toms in the same story.
  • Tom Burden the director and Tim Sevine the makeup artist are recurring characters of John Rozum that he has used in several other stories, but he says "they didn't always look the same."[1]



Even for classic episodes of Scooby-doo, the first mystery by Chris Duffy is too obvious, and the running gag of sleeping Velma gets old really fast. The second mystery however prints with a red herring and an unexpected solution hinted at during the beginning. Joe Staton of course does a smashing storyboard. [2]



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