Sound Stage Spook

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Expansion This needs a stretch.
Sound Stage Spook
Clayton Lonney's Ghost
Part of Scooby-Doo #18
# of pages 12
Writer John Rozum
Penciler Joe Staton
Inker Andrew Pepoy
Colorer Paul Becton
Letterer John Costanza
Editor Dana Kurtin
Previous story

Are We Scared Yet?

Next story

The Curse of the Scary Scarab

Sound Stage Spook is the second story in Scooby-Doo #18 by DC Comics.


Theodore Jones, grandfather of Fred, requires the gang's assistance again. This time a ghost is haunting the sound stage of his new giant crab movie, Bisque, Horror From the Deep.



Main characters:

Supporting characters:


Other characters:

  • TBA



  • TBA


  • TBA


Suspect Motive/reason
Lucas Spiegel Both his movie and Tom Burden's movie were in a race to come out in theaters first.
Tim Sevine He knew that Clayton Lonney would be disgusted with actors today.
Nick He refused to have the scar on his face in order to portray the race car villian.


Culprit Motive/reason
Lucas Spiegel as Clayton Lonney's Ghost To mess up his rival's movie, so that his movie would reach the theaters before his rival's did.


  • In the beginning, Shaggy gets directions from Zandor of the Herculoids, while Igoo looks on (as an unmasked actor).
  • Clayton Lonney seems to be an reference to Lon Chaney, a famous horror movie actor.
  • Theodore Jones appeared before, in Legend Of The Silver Scream.
  • Fred Jones mistakenly says "Tom" as the first name of Tim Sevine, but the latter is correct, as seen in the short How to Make a Monster. There's already a Tom Burden, and it would be odd to have two Toms in the same story.
  • Tom Burden the director and Tim Sevine the makeup artist are recurring characters of John Rozum that he has used in several other stories, but he says "they didn't always look the same."[1]


Even for classic episodes of Scooby-doo, the first mystery by Chris Duffy is too obvious, and the running gag of sleeping Velma gets old really fast. The second mystery however prints with a red herring and an unexpected solution hinted at during the beginning. Joe Staton of course does a smashing storyboard. [2]



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