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{{Expansion}}
 
{{Expansion}}
 
{{Story Infobox
 
{{Story Infobox
|image=[[File:Placeholder|250px]]
+
| image=
|publishedby=[[DC Comics]]
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| publishedby= [[DC Comics]]
|releasedate= September 2000
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| releasedate= September 2000
|partof=[[Scooby-Doo! issue 38 (DC Comics)|''Scooby-Doo!'' #38]]
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| partof= [[Scooby-Doo! issue 38 (DC Comics)|''Scooby-Doo!'' #38]]
|pages=12
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| pages= 12
|writer=[[Bob Fingerman]]
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| writer= [[Bob Fingerman]]
|pencils=[[Joe Staton]]
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| pencils= [[Joe Staton]]
|inks=[[Bill Wray]]
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| inks= [[Bill Wray]]
|colors=[[Paul Becton]]
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| colors= [[Paul Becton]]
|letters=[[John Costanza]]
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| letters= [[John Costanza]]
|editing=
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| editing=
|previous=''[[The Curse Of The Jungle Tomb]]''
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| previous= ''[[The Curse of the Jungle Tomb]]''
|next=''[[Two Heads Are Better Than None]]''
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| next= ''[[Two Heads Are Better Than None]]''
 
}}
 
}}
 
'''Techno? Heck, No!''' is a story in ''[[Scooby-Doo! issue 38 (DC Comics)|Scooby-Doo! #38]]'' by [[DC Comics]].
 
'''Techno? Heck, No!''' is a story in ''[[Scooby-Doo! issue 38 (DC Comics)|Scooby-Doo! #38]]'' by [[DC Comics]].

Revision as of 11:22, 23 October 2015

Expansion This needs a stretch. (Feel free to remove when satisfied of completion.)

Techno? Heck, No! is a story in Scooby-Doo! #38 by DC Comics.

Premise

A Luddite ghost seems to strike.

Synopsis

Characters

Character
Scooby-Doo
Shaggy Rogers
Fred Jones
Daphne Blake
Velma Dinkley

Villains

  • Luddite Ghost

Suspects

Suspect Motive/reason
Suspect Motive/reason

Culprits

Culprit Motive/reason
Culprit Motive/reason

Locations

Notes/trivia

Reception

Bob Fingerman in the next story creates humorous misfortunes through the stretching out of the Mystery Machine's slow death, and he also injects originality in the story by making Freddie the usually competent, grounded and happy detective the unwitting dupe. The attack on Bill Gates though certainly obvious none the less captures a weasel-like dependence on theft that rings true, and Mr. Fingerman doesn't make the mistake in over-stating the Luddites' effects on the industrial revolution.

Joe Staton once again handles the artistry. Notice how Velma's cousin while bearing a resemblance to Velma does not become Velma. Velma though a plain looking young lady when compared to the delectable Daphne, still bears a feminine poise. It would have been very easy for the artist to simply copy Velma and turn her into a man for the visual characterization of the cousin or disguise less accomplished artwork by changing Velma's visual characterization to make the cousin look different. [1]

Quotes

References