|This needs a stretch. (Feel free to remove when satisfied of completion.)|
The gang is called in to a museum to investigate a strange statue that has come to life and threatens the exhibit.
Insert details here.
- Guardian Spirit (single appearance)(retired stuntman's disguise)
- Hung Kam-Bo (single appearance)(no lines)
- Lee Sau-Yin (single appearance)
- Retired stuntman (single appearance)(no lines)
- Mrs. Feigen (single appearance)
- Museum goers (single appearance)(miscellaneous speaking)
- Cheung Man-Yuk (final appearance)
- U.S. customs agents (single appearance)(no lines)
|Leung Kar-Fai||He was nervous and behaved oddly at the exhibit opening. Seemed obsessed with the statue.|
|Mr. Elliot||He interrupted the gang before Mr. Leung could tell them something about the statue.|
| Retired stuntman as the Guardian Spirit|
Hung Kam-Bo and Lee Sau-Yin
|To smuggle items inside some of the exhibit pieces.|
- Chinese police agent Cheung Man-Yuk from the "Dragon's Eye" saga returns in this story.
In the second story, Scooby enjoys a standout scene that reveals a characterization hinted at in the Scooby-Doo movie. Scooby, unlike the miserable reprobate Scrappy, is actually a well-mannered and well-behaved doggie. Here we see him quickly and effeciently save the museum pieces from becoming shards of history on marble tile. A dog with taste. It's a shame DC never had rights to Scooby-Doo during the pre-Crisis. I would have loved to have seen a team-up between Krypto and Scoob.
While Joe Staton would have been ideal for detailing the second mystery, artist John Delaney and reliable inker Mike DeCarlo make able substitutes. They make the story visually funny. The standout scene is of course the aforementioned agile saves by Scoob. The first mystery rendered by Anthony Williams generates some interesting character design while promoting several sightless gags courtesy of Shaggy and Scooby.